Le Rêve

Franco Dragone; the Belgian visionary behind the creative construction of “Cirque de Soleil”, is considered a purveyor of theatrical improvisation. His productions fuse contemporary dance, art and culture, with innovative gymnastics and death-defying circus practices - performed by only the most elite professionals from around the world. Dragone's early works commanded attention for the portrayal of social deprivation, however it would be the ethereal, fantasy-like productions such as “Cirque”, “Le Rêve” and “Mystère” that would really shape the niches of modern aquatic, and aerial theater.

“Le Rêve” was unleashed unto Vegas back in 2006, at the resort of the same name (now known as Wynn's). The concept of the stage show has long been debated, however the French “Le Rêve” actually translates to “The Dream”. It is thought the inspiration for the show, may have been born from a Pablo Picasso painting, (coincidentally owned by real-estate tycoon Steve Wynn) said to depict the emotional tempest experienced by a woman, in the throes of falling in love. Unsurprisingly, the powerful elements of earth, air and fire play a significant part in the portrayal, as the show journeys through the subconscious dreams of it's subject.

Few Las Vegas shows can boast a theater, which has been exclusively designed to fulfill the complexities of a sizable aerial and aquatic production. A circular 27-foot plunge pool creates the centerpiece, around which this 360-degree theater has been devised. Designed to spill upward over three tiers, the seating forms an innovative 'land' over which much of the aerial choreography takes place. The aptly named “Splash Zone” down by the pool edge is a satisfyingly soaking experience, where the water contortionists and elusive clowns perform within arm's reach. The third tier is arguably the best vantage area for much of the aerial and sky-dancing.

Dragone's vision for a dream that transcends the usual fantasy expectations, is realized with a number of surprises throughout the show. Nymph-like bodies emerge like graceful fish from the pool, amid a spectacle of colored fountains and light, while their aerial counterparts descend from a heavenly domed sky, hanging from spherical orbs (planets). A human pyramid emerges, built from both bodies, and the framework of a tree – once again connecting them with the swinging spirits tumbling down from the sky. Highlights include the color spectrum 'ring-of-fire' sequence; the conjuring of a tumultuous fabric-storm sky, and the descent of the 'angels'. Daring choreography performed by the 'Red Men', along with the acrobatic “Net” sequence present just some of the exemplary stunt-work incorporated within the show's drama.

From the outset, one cannot fail to become immersed within “Le Rêve”. If the rock and tribal infused drumbeats aren't enough to capture the attention from the get-go; the explosion of mid-air acrobatics, coupled with the mermaid-like contortionists whom emerge silent and elegant from the tranquil pool are bound to impress. The real draw of the show, is it's innate ability to keep an audience transfixed, with that seat-edge anticipation of not knowing what will happen next. The show itself, is a constantly evolving concept – much of the cast being replaced annually for safety reasons, and the theatrical props also undergoing a degree of re-invention. Given that the show has no binding plot to speak of, this does nothing to negatively impact – in fact, quite a welcome aspect for those who choose to return yearly, to the experience.